A Painful Hate Story : PADMAVATI

Read the real story of controversial film PADMAVATI directed by Sanjay Leela Bhansali-

In 13th century , The Sultanate of Delhi – A kingdom set up by the Invaders was nevertheless growing in power.

They made repeated attack on Mewar(or Mewāḍ )is a region of south-central Rajasthan state in western India.The region was for centuries a Rajput kingdom) on one pretext or the other.

 

In those days Chittod was under the Rule of King Ratansen, a brave and noble warrior-king. He had a beautiful wife named Rani Padmawati, Apart, from being a loving husband and a just ruler, Ratansen was also a patron of the arts. In his court were many talented

map-of-india-rajput-kingdom-and-delhi-sultnate

People one of whom was a musician named Raghav Chetan.

But unknown to anybody, Raghav Chetan used his evil talents to run down his rivals and unfortunately for him was caught red-handed in his dirty act of arousing evil spirits.

On hearing this King Ratansen was furious and he banished Raghav Chetan from his kingdom after blackening his face and making him ride a donkey. This harsh Punishment earned king Ratansen an uncompromising enemy.

Sulking after his humiliation, Raghav Chetan made his way towards Delhi with -the aim of trying to incite the Sultan of Delhi Ala-ud-din Khilji to attack Chittor.

One day Delhi Sultan’s hunt party entered a forest where Raghav-Chetan was playing a melodious tone on his flute. When the alluring notes of Raghav-Chetan flute reached the Sultan’s party they were surprised as to who could be playing a flute in such a masterly way in a forest. The Sultan despatched his soldiers to fetch the person and when Raghav-Chetan was brought before him, the Sultan Ala-ud-din Khilji asked him to come to his court at Delhi.

The cunning Raghav-Chetan asked the king as to why he wants to have a ordinary musician like himself when there were many other beautiful objects to be had. Wondering what Raghav-Chetan meant, Ala-ud-din asked him to clarify. Upon being told of Rani Padmini’s beauty, Ala-ud-din’s lust was aroused and immediately on returning to his capital he gave orders to his army to march on Chittor.

But on reaching Chittor, Allah-ud-din found the fort to be heavily defended. Desperate to have a look at the legendary beauty of Padmini, he sent word to King Ratansen that he looked upon Padmini as his sister and wanted to meet her.

On hearing this, the unsuspecting Ratansen asked Padmini to see the ‘brother’. But Padmini was more wordly-wise and she refused to meet the lustful Sultan personally.

On being persuaded by her husband Rana Ratansen, Rani Padmini consented to allow Ala-ud-din to see her only in a mirror.

On the word being sent to Ala-ud-din that Padmini would see him he came to the fort with his selected his best warriors who secretly made a careful examination of the fort’s defences on their way to the Palace.

On seeing Padmini, in the mirror, the lustful ‘brother’, Allah-ud-din Khilji decided that he should secure Padmini for himself.

While returning to his camp, Allah-ud-din was accompanied for some way by King Ratansen. Taking this opportunity, the wily Sultan deceitfully kidnapped Ratansen and took him as a prisoner into his camp and demanded that Padmini come and surrender herself before Allah-ud-din Khilji, if she wanted her husband King Ratansen alive again.

The Rajput generals decided to sent back a word that Padmini would be given to Ala-ud-din the next morning. On the following day at the crack of dawn, one hundred and fifty palanquins (covered cases in which royal ladies were carried in medieval times) left the fort and made their way towards Ala-ud-din’s camps.

The palanquins stopped before the tent where king Ratansen was being held prisoner. . Seeing that the palanquins had come from Chittor; and thinking that they had brought along with them his queen, king Ratansen was mortified. But to his surprise from the palanquins came out, not his queen and her women servant, with fully armed soldiers, who quickly freed Ratansen and galloped away towards Chittor on horses grabbed from Ala-ud-din’s stables.

On hearing that the lustful Sultan was furious and ordered his army to storm Chittor. But hard as they tried the Sultans army could not break into the fort. Then Ala-ud-din decided to lay siege to the fort. The siege was a long drawn one and gradually supplied within the fort were depleted.

Finally King Ratnasen gave orders that the Rajputs would open the gates and fight to finish with the besieging troops. On hearing of this decision, Padmini decided that with their men-folk going into the unequal struggle with the Sultan’s army in which they were sure to perish, the women of Chittor had either to commit suicides or face dishonour at the hands of the victorious enemy.

The choice was in favour of suicide through Jauhar. A huge pyre was lit and followed by their queen, all the women of Chittor jumped into the flames and deceived the lustful enemy waiting outside.

With their womenfolk dead, the men of Chittor had nothing to live for. Their charged out of the fort and fought on furiously with the vastly Powerful array of the Sultan, till all of them perished.

After this pyrrhic victory the Sultan’s troops entered the fort only to be confronted with ashes and burnt bones of the women whose honour they were going to violate to satisfy their lust.

These women who committed Jawhar had to perish but their memory has been kept alive till today by bards and songs which glorify their act which was right in those days and circumstances. Thus a halo of honour is given to their supreme sacrifice.

 

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